It’s a lot harder to “take the money and run” when the cash you want is trapped inside an ATM. But some daring thieves in Arkansas recently used a forklift in. You’ve got problems, I’ve got advice. This advice isn’t sugar-coated—in fact, it’s sugar-free, and may even be a little bitter. Welcome to Tough Love.

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BFIRebel without a Cause (1. Rebel without a Cause is back in cinemas nationwide, including an extended run at BFI Southbank, from 1. April 2. 01. 4. There’s a scene midway through celebrated teen melodrama Rebel without a Cause in which Jim Stark (James Dean) and his classmates visit the Griffith Observatory in Los Angeles. Sitting in the darkness of the auditorium as a vast blanket of stars and galaxies is projected above their heads, they hear a stentorian narrator talk of the infinite stretch of space and time.

Man, existing alone, seems himself an episode of little consequence,” he remarks. Jim’s frustrations at his parents, his railing against society’s staid conventions, his feuding with the other kids in school, his scrapes with the law – all seem to wash away into cosmic insignificance in this melancholy, frightening moment.

This romantic despair, also clear and present in many other films by director Nicholas Ray, is what’s kept Rebel without a Cause more truly alive than the other groundbreaking delinquency dramas of the 1. Coinciding with the arrival of rock ‘n’ roll on the radio, teen biker flick The Wild One (1. Marlon Brando, and classroom rebellion drama Blackboard Jungle (1. Sidney Poitier, were among the first films to reflect the excitements and discontents of teenage life back at the newly liberalised adolescents of the postwar period.

Both those films remain important footnotes in the history of the rise of the teenager, but Rebel without a Cause still speaks to anyone looking around at the universe and wondering where they might fit in. Each of the recommendations included here is available to view in the UK. Ray’s classic is about to be rereleased around the country, along with James Dean’s two other star turns in East of Eden (1. Giant (1. 95. 6). Time then for a look at some other peaks of the teen movie tradition that Rebel without a Cause helped to kickstart. If…. Director Lindsay Anderson. If.. (1. 96. 8)One of the very best British films to come out of the 1.

Lindsay Anderson’s boarding- school drama If…. Three years before his turn as the vicious teen anti- hero of A Clockwork Orange (1. Malcolm Mc. Dowell made his screen debut as Mick Travis, a rebel with a cause who isn’t going to take the strictures and discipline of public school any longer. After a career as a critic, Anderson had emerged as a director during the 1.

Free Cinema movement, but here moved up a gear with a strikingly original satire on English life that segues between black and white and colour and between horror and rhapsody, before ending with armed revolution on the roof of the school. British school movies in the St Trinians tradition weren’t without their own genteel anarchy, but If….

Bronco Bullfrog (1. Director Barney Platts- Mills. Bronco Bullfrog (1. The Man From U.N.C.L.E. Movie Watch Online.

Another late- 6. 0s British drama with a less than rosy sense of the state of the nation, Barney Platts- Mills’ debut feature has been less seen than If…. UK cinema. Bronco Bullfrog is about a gang of disaffected working- class teens growing up amid the postwar high rises of Stratford in east London. First seen breaking into an East End café, 1. Del (Del Walker) and his mates live a life of delinquency and aimlessness with little hope for their futures.

Even Del’s budding romance seems doomed with parental interference. Filmed with non- professional actors and on a minuscule budget, it’s nonetheless a film of great charm and authenticity, vividly shot in black and white and with a structural looseness and sense of freedom that recalls French New Wave cinema. It’s rough and ready, but its proto- punk fierceness has kept it fresher than many more vaunted films of the time.

The Last Picture Show (1. Director Peter Bogdanovich.

The Last Picture Show (1. Produced by BBS (the same stable that brought the world New Hollywood milestones Easy Rider and Five Easy Pieces), The Last Picture Show is an elegiac story about a bunch of school kids coming of age in a small Texas town. Critic- turned- filmmaker Peter Bogdanovich had got his first break with Targets (1. Roger Corman, who was responsible for many car, drug and beach teen exploitation movies in the 5. With his second feature, which features star- making turns for Jeff Bridges and Cybill Shepherd, Bogdanovich brought the teen film kicking and screaming through its own puberty and into a new maturity, sensitively tracing the shifting hopes and anguishes of its protagonists as they face up to the responsibilities of growing older. As Tom Huddleston writes in Time Out: “The different ways people become who they are – rich or poor, cultured or common, honest or treacherous, loving or hateful, sad or satisfied – were never more eloquently explored”. American Graffiti (1.

Director George Lucas. American Graffiti (1.

Like The Last Picture Show, George Lucas’s American Graffiti is a nostalgic return to an idealised America of the pre- Vietnam era. It takes place over one hot summer night in a small California town in the early 6. Watch Afternoon Delight Online. As with the Bogdanovich film, it’s a vision of a paradise that’s about to be eclipsed: graduate friends Curt (Richard Dreyfuss) and Steve (Ron Howard) are imminently off to college – leaving the west coast and their carefree adolescence behind them. Based on Lucas’s own youth, American Graffiti was the director’s last stop off before his epoch- making Star Wars series. With its soundtrack of wall- to- wall rock ‘n’ roll classics, its distinctively loose round- round- get- around structure and its gleaming evocation of the period, it was an impressive show of directorial strength before Lucas’s arrested development in a galaxy far, far away.

Gregory’s Girl (1. Director Bill Forsyth. Gregory's Girl (1. Glasgow- born Bill Forsyth had already proved his winning way with teenage actors with his 1. That Sinking Feeling, but it’s with his second film that he lodged a place in the all- time coming- of- age movie canon. Again made with young actors from the Glasgow Youth Theatre, it stars John Gordon Sinclair as the eponymous Gregory, a gawky schoolboy who falls head over heels with a new female recruit to the school football team – though his courtship doesn’t take the path he expects.

All the growing pains, hormones and awkwardness of adolescence are here, captured with a wonderful warmth and good- spiritedness. Some whimsical elements suggest the film may have been an influence on Wes Anderson or Richard Ayoade, but Gregory’s Girl never feels twee or wilfully idiosyncratic, just charming, unassuming and hilarious. As we follow Gregory on his roving, uncertain ‘date’,” writes Mark Duguid for BFI Screenonline, “Forsyth almost convinces us that the unglamorous, concrete new town of Cumbernauld is as romantic as Paris.”À nos amours (1. Watch The Haunting In Connecticut 2: Ghosts Of Georgia Online (2017). Director Maurice PialatÀ nos amours (1. Maurice Pialat’s 1. Passe ton bon d’abord had all the sex, drugs and angst of the best teen films, presenting the bleak outlook facing a generation of graduating school friends in an impoverished region in northern France.

But, five years later, À nos amours made an even bigger impression, matter- of- factly confronting us with the promiscuity of 1. Suzanne, played – in one of film’s most dazzling debuts – by Sandrine Bonnaire. Moving between a holiday in the country and her family life in Paris, the film charts Suzanne’s precocious sexual adventures alongside the turbulence she experiences at home. Pialat himself plays the father, and the dad- daughter relationship is movingly handled, though the family arguments are dramatised with a fierce, scalding realism. Heathers (1.

Director Michael Lehmann. Heathers (1. 98. 8)It’s difficult to know what to pick to represent the American teen movie of the 1.

National Lampoon’s Animal House (1. Porky’s (1. 98. 1), Risky Business (1. John Hughes put his name to, from Sixteen Candles (1. Pretty in Pink (1.